LISTEN to my music here: http://music.lowercasenoises.com In this video I want to show you a little bit about how I think when it comes to chord shapes when I’m doing swells or other things. As with other aspects of all this stuff, it really comes down to cutting back things that are redundant or muddy, as well as thinking about space and separation. I hope this is helpful to you! In this video I’m playing a Gretsch Country Classic Jr into a Matchless Chieftain and Clubman. The pedals used in the swell sound were as follows: Diamond Compressor EHX Micro POG Goodrich L-120 Volume MXR Carbon Copy Strymon El Capistan Line 6 Echo Park Neunaber Stereo Wet Reverb Strymon Blue Sky My video camera is a Nikon D5100 and I use Final Cut Pro X to edit the video. Follow me on following social networks if you so desire! Twitter: http://www.twitter.com/andyothling Facebook: http://www.facebook.com/aothling Instagram: http://www.instagram.com/andyothling You can follow Lowercase Noises, my ambient music project, at the following places as well! Twitter: http://www.twitter.com/lowercasenoises Facebook: http://www.facebook.com/lowercasenoises Soundcloud: http://www.soundcloud.com/lowercasenoises Thanks for watching!